La digitación en la guitarra
Fecha
2013
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Universidad EAFIT
Resumen
La digitación es un aspecto de fundamental importancia en la interpretación musical de todos los instrumentos. En la guitarra, debido al sistema de producción de sonido y teniendo en cuenta que una altura determinada se puede producir en diferentes lugares del diapasón, surgen posibilidades que deben ser examinadas cuidadosamente para lograr objetivos estéticos y técnicos de calidad profesional. Para ello, en éste artículo se exponen recursos de la mano izquierda que tienen más aplicabilidad en el quehacer cotidiano, utilizando ejemplos de Mateo Carcassi, Giulio Regondi, Agustín Barrios, Manuel Ponce, Heitor Villa-lobos, Leo Brouwer y Eduardo Sainz de la Maza, finalizando con una lista de principios que ayudan al correcto funcionamiento de la mano derecha. Estos recursos se proponen a partir de un análisis que ilustra el cambio en la sonoridad de la guitarra a lo largo del siglo XX debido a diferentes procesos, entre ellos, las nuevas técnicas de construcción del instrumento y especialmente la adopción de nuevos procedimientos en la digitación. Este artículo se propone, enseñar a estudiantes de todos los niveles el uso aplicado de dichos recursos
Abstract: Fingering is a quite important aspect in the music performance of every single instrument. Because of its sound production system and also considering that a single pitch can be produced in different positions along the fingerboard, the guitar has a large range of possibilities that have to be considered in order to achieve a professional level in terms of aesthetic and technical goals. To accomplish that, here will be explained some important proceedings related to the left hand that should be studied in our daily basis, in this case, using excerpts of Works composed by Mateo Carcassi, Giulio Regondi, Agustín Barrios, Manuel Ponce, Heitor Villa-lobos, Leo Brouwer and Eduardo Sainz de la Maza, and finally, listing a series of tips to improve the right hand technique. These approaches rely on the analysis which illustrates the sonority changes of the guitar throughout the twentieth century due to different processes associated to the development of the building techniques and mostly the appropriation of new fingering procedures. The purpose of this article is to teach students of all levels, how to use the technical resources mentioned.1
Abstract: Fingering is a quite important aspect in the music performance of every single instrument. Because of its sound production system and also considering that a single pitch can be produced in different positions along the fingerboard, the guitar has a large range of possibilities that have to be considered in order to achieve a professional level in terms of aesthetic and technical goals. To accomplish that, here will be explained some important proceedings related to the left hand that should be studied in our daily basis, in this case, using excerpts of Works composed by Mateo Carcassi, Giulio Regondi, Agustín Barrios, Manuel Ponce, Heitor Villa-lobos, Leo Brouwer and Eduardo Sainz de la Maza, and finally, listing a series of tips to improve the right hand technique. These approaches rely on the analysis which illustrates the sonority changes of the guitar throughout the twentieth century due to different processes associated to the development of the building techniques and mostly the appropriation of new fingering procedures. The purpose of this article is to teach students of all levels, how to use the technical resources mentioned.1
Descripción
1 CD-ROM : il.
Palabras clave
Tesis. Maestría en Música, Interpretación de la Guitarra, Guitarristas, Historia De La Guitarra