Maestría en Música (tesis)
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Examinando Maestría en Música (tesis) por Materia "Adaptación musical"
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Ítem Adaptación de la obra colombiana Rosarillo de Luis Antonio Calvo para violonchelo y piano(Universidad EAFIT, 2024) Casas Zuñiga, Stiven; Manco, Juan DavidThe purpose of this article is to provide an account of the process undertaken in adapting the work Rosarillo by Luis Antonio Calvo for cello and piano. The aim is to promote the performance of Colombian music through this piece. To achieve this, a toree-phase methodology was designed. Initially, the work Rosarillo was contextualized, with a focus on its adaptation for the cello. This was followed by a comparative study and analysis between the original score and its adaptation. Subsequently, based on a series of registered and recorded concerts, a re-adaptation was performed, yielding new technical and interpretive recommendations. The article concludes with reflections on the potential contributions of this adaptation to Colombian cello music, as well as possible challenges that could inspire future research.Ítem Adaptación de tres melodías de la Cultura Wayûû : Mujer enamorada, Orgullo por el ganado y Traición de amor : diálogo entre dos culturas(Universidad EAFIT, 2023) De Armas Mindiola, Jalil Miguel; Araque Gil, Fernando AntonioDue to its special meanings, it is relevant to create new musical alternatives to highlight the artistic contributions of the music of the Wayûû culture, respecting the ethnographic elements in relation to customs, traditions, religion and race. The interest in researching this topic arises from the scarce promotion of Wayûû indigenous music outside the department of La Guajira. For this reason, it is intended to elaborate an adaptation of the Wayûû indigenous music for brass instruments. In the same way, to adapt aspects such as history, customs, sources of inspiration and musical instruments, in order to enrich the repertoire for the same instruments from the recognition of the cultural diversity of Colombia and the encouragement of the promotion of the cultural and musical richness of this community.Ítem Adaptación de tres movimientos de la historia del tango de Astor Piazzolla para violonchelo con pedales de efectos y guitarra eléctrica - Adaptation of three movements from Astor Piazzolla's tango history for cello with effects pedals and electric guitar(Universidad EAFIT, 2024) González Buitrago, Sergio; Manco, Juan DavidThis research-creation work explores the adaptation of three movements from Astor Piazzolla's “Historia del tango” to be performed on violoncello with sound pedals effects and electric guitar. The methodology was developed initially from the collection of the original scores, the structural analysis of the work, and the musical adaptation for cello, then the selection of microphones and effects pedals, and finally the exploration of the sounds of the selected pedals. With this process, the feasibility of using real-time sound effects was demonstrated, obtaining novel sound results that open up new possibilities in the interpretation of music written for cello.Ítem Tres adaptaciones de música andina colombiana a la literatura solista del contrabajo(Universidad EAFIT, 2024) Olarte de los Ríos, Carlos Andrés; Manco, Juan DavidThis article provides an exercise in adapting three pieces of Colombian Andean music to solo double bass literature. To this end, a historiographical study was carried out at the organological level of the double bass, taking into account that this instrument is known as a great accompaniment in all types of music, but due to its tessitura, it is not recognized as a solo instrument in any genre. This is reflected in the small amount of solo repertoire that he has. For this reason, the historical and musical context of the composers of the three pieces was studied: Pedro Morales Pino, Luis A. Calvo and Luis Uribe Bueno. Finally, the adaptations were prepared in such a way that they are in the idiomatic language of the double bass, taking into account its organological dimension in a technical way, since, when playing its tones and semitones, the distances are much wider unlike other instruments, even more so in comparison with the piano and the Colombian Andean bandola. As a result of this, these three works are compatible with the double bass and are presented in this article.Ítem Violonchelo cantao; el violonchelo desde las músicas tradicionales a través de cuatro adaptaciones de melodías representativas del Caribe colombiano(Universidad EAFIT, 2023) Quintero Benítez, Ángel de Jesús; Manco, Juan DavidThe purpose of this article is to present four adaptations made for the cello around the traditional music of the Caribbean. This process began with the review of the approaches of different authors, who have spoken about the transcription, study and teaching of traditional music. Through these reflections it was possible to adapt the songs: Te olvidé, El pescador, Atlántico, and La gota fría. Where through various processes we explain the way in which these results were reached, and we conclude with some reflections on their contributions and possible challenges that may be found for future research.