Ansiedad finisecular e hibridez cultural en el imaginario dariano de Azul (1888)
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2015-06-01
Autores
Solodkow, David
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Universidad EAFIT
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Descripción
El objetivo de este artículo es analizar la construcción de una hibridez cultural, política y estética en dos poemas de Azul (“Estival” y “Anagke”) -- En estos poemas, Rubén Darío presenta al lector una visión cultural compleja de América Latina a finales del siglo XIX -- Al mismo tiempo, estos poemas muestran una cierta ansiedad cultural finisecular producto de la modernización capitalista, de los nuevos circuitos de consumo, del nuevo y cada vez más amplio público lector y, finalmente, de la moderna función del escritor en una sociedad en constante aceleración -- Mi hipótesis es que las transformaciones culturales y políticas del período generan una mezcla de tradiciones literarias y de imaginarios culturales que repercuten en nuevas formas de escritura
The aim of the article is to analyze the construction of a cultural, political and aesthetic hybridity in two poems of Azul (“Estival” and “Anagke”) -- In these poems, Dario presents the reader with a complex cultural vision of Latin America at the end of the nineteenth century -- The poems analyzed show a sort of cultural anxiety as a product of the capitalist modernization, the new circuits of consumption, a new and wider reading public and, finally, the modern function of the writer in a society in constant acceleration -- My contention is that the cultural and political transformations of the period engender a mix of literary traditions and cultural imaginaries that create new ways of writing
The aim of the article is to analyze the construction of a cultural, political and aesthetic hybridity in two poems of Azul (“Estival” and “Anagke”) -- In these poems, Dario presents the reader with a complex cultural vision of Latin America at the end of the nineteenth century -- The poems analyzed show a sort of cultural anxiety as a product of the capitalist modernization, the new circuits of consumption, a new and wider reading public and, finally, the modern function of the writer in a society in constant acceleration -- My contention is that the cultural and political transformations of the period engender a mix of literary traditions and cultural imaginaries that create new ways of writing