A critical vision of teaching and research in the so-called music theory
dc.citation.epage | 34 | |
dc.citation.issue | 9 | |
dc.citation.journalAbbreviatedTitle | ricercare | eng |
dc.citation.journalTitle | Ricercare | eng |
dc.citation.spage | 27 | |
dc.citation.volume | 2018 | |
dc.contributor.affiliation | Universidad EAFIT | spa |
dc.contributor.author | Yepes LondoƱo, Gustavo Adolfo | spa |
dc.coverage.spatial | MedellĆn de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees | eng |
dc.date | 2018-11-19 | |
dc.date.accessioned | 2019-12-09T15:42:37Z | |
dc.date.available | 2019-12-09T15:42:37Z | |
dc.date.issued | 2018-11-19 | |
dc.description | We present here a brief critical review of the current university academic world of music theory and analysis regarding its study, teaching, knowledge production, historical and other aspects related to cooperation with other sciences; specialized musical lexicography and other possible objects of study relevant to the broad field of our discipline. The author has been a teacher, researcher-tigador, orchestral and choral conductor, composer and trader of music theory and analysis. The initial form of this article was an interview with the author by Professor TomĆ”s DĆaz Villegas to be published in the magazine A misfortune. | eng |
dc.description | Presentamos aquĆ una somera revisiĆ³n crĆtica del mundo acadĆ©mico universitario actual de la teorĆa y el anĆ”lisis musical en cuanto a su estudio, enseƱanza, producciĆ³n de conocimiento, aspectos histĆ³ricos y otros relativos a la cooperaciĆ³n con otras ciencias; la lexicografĆa musical especializada y demĆ”s posibles objetos de estudio pertinentes al ancho campo de nuestra disciplina. El autor ha sido docente, inves-tigador, director orquestal y coral, compositor y tratadista de la teorĆa y el anĆ”lisis musical. La forma inicial de este artĆculo fue una entrevista realizada al autor por el profesor TomĆ”s DĆaz Villegas para ser publicada en la revista A contratiempo. | spa |
dc.format | application/pdf | |
dc.identifier.doi | 10.17230/ricercare.2018.9.2 | |
dc.identifier.issn | 2346-4747 | |
dc.identifier.issn | 2346-4879 | |
dc.identifier.uri | http://hdl.handle.net/10784/15243 | |
dc.language.iso | spa | |
dc.publisher | Universidad EAFIT | spa |
dc.relation.ispartof | Ricercare; Vol 2018, No 9 (2018) | |
dc.relation.isversionof | http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/5355 | |
dc.relation.uri | http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/5355 | |
dc.rights | Copyright (c) 2018 Gustavo Adolfo Yepes LondoƱo | eng |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | eng |
dc.rights.local | Acceso abierto | spa |
dc.source | instname:Universidad EAFIT | |
dc.source | reponame:Repositorio Institucional Universidad EAFIT | |
dc.source | Ricercare; Vol 2018, No 9 (2018) | spa |
dc.subject.keyword | Music | eng |
dc.subject.keyword | MĆŗsica | spa |
dc.title | A critical vision of teaching and research in the so-called music theory | eng |
dc.title | VisiĆ³n crĆtica de la docencia y la investigaciĆ³n en la llamada teorĆa musical | spa |
dc.type | article | eng |
dc.type | info:eu-repo/semantics/article | eng |
dc.type | publishedVersion | eng |
dc.type | info:eu-repo/semantics/publishedVersion | eng |
dc.type.local | ArtĆculo | spa |
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