The Principle of Alternation in Greek Tragedy

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dc.citation.journalTitleRevista Filosofía Uisspa
dc.contributor.departmentDepartamento de Humanidades
dc.contributor.researchgroupEstudios de Filosofía, Hermenéutica y Narrativasspa
dc.date.accessioned2021-03-04T20:56:18Z
dc.date.available2021-03-04T20:56:18Z
dc.date.issued2018-05-15
dc.description.abstractThis paper deals with a specific aspect of the structure of classical Greek tragedy. In particular, it is interested in showing how this species of the dramatic genre obeys the formal pattern known as the alternation. Two elements, which at the same time constitute two different linguistic codes, serve to carry out the discursive assembly of the dramatic piece: singing and reciting.eng
dc.identifierhttps://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=8330
dc.identifier.doi10.18273/revfil.v17n1-2018002
dc.identifier.issn16922484
dc.identifier.issn21458529
dc.identifier.otherWOS;000432955400003
dc.identifier.urihttp://hdl.handle.net/10784/26334
dc.languagespa
dc.language.isospaeng
dc.publisherUNIV INDUSTRIAL SANTANDER
dc.relation.urihttps://revistas.uis.edu.co/index.php/revistafilosofiauis/article/view/8274
dc.rightshttps://v2.sherpa.ac.uk/id/publication/issn/1692-2484
dc.sourceRevista Filosofía Uis
dc.subject.keywordAthenseng
dc.subject.keywordtragedyeng
dc.subject.keywordchoruseng
dc.subject.keywordheroeng
dc.subject.keywordnew image of maneng
dc.titleThe Principle of Alternation in Greek Tragedyeng
dc.typearticleeng
dc.typeinfo:eu-repo/semantics/articleeng
dc.typeinfo:eu-repo/semantics/publishedVersioneng
dc.typepublishedVersioneng
dc.type.localArtículospa

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