Examinando por Materia "Redes de apoyo"

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    Análisis de la rentabilidad social y ambiental del modelo Casa para Mí
    (Universidad EAFIT, 2025) Arias Gómez, Armando; Sastoque Rivera, Luis Fernando; Muñoz Mora, Juan Carlos; Sánchez, Andrés Felipe
    The thesis “Analysis of the Social and Environmental Profitability of the Casa para Mí Model” evaluates the viability and impact of the social business model promoted by Cementos Argos, integrating the Theory of Change, Life Cycle Assessment (LCA), and the Social Return on Investment (SROI) methodology. Through participatory workshops and technical analyses, the study identified significant positive impacts on the quality of life, household economy, and environmental sustainability of the beneficiary communities. Among the key findings, 87% of families reported improvements in their economic situation, including increased income, access to employment, and opportunities for technical training. In environmental terms, the model achieved a 50% reduction in CO₂ emissions, an 87% reduction in construction waste, and a 46% decrease in water consumption. The calculated SROI was 2.29, meaning that for every peso invested, $2.29 in social benefits are generated. The study concludes that the Casa para Mí model is efficient, replicable, and contributes significantly to the achievement of several Sustainable Development Goals (SDGs), particularly: Reduced inequalities (SDG 10), Sustainable cities and communities (SDG 11), Responsible consumption and production (SDG 12), Climate action (SDG 13), and Partnerships for the goals (SDG 17).
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    Vivencia de la participación en bandas de marcha en la ciudad de Medellín y su aporte al establecimiento de espacios seguros y redes de apoyo para las personas que se identifican y no como LGBTIQ+
    (Universidad EAFIT, 2025-11-04) García Mosquera, Gaellert Jawlansky; Buitrago Duque, Diana Cristina
    This study explores how participation in marching bands in Medellín contributes to emotional well-being, the creation of safe spaces, and the development of support networks among individuals who identify —and do not identify— as part of the LGBTIQ+ community. Using a qualitative, phenomenological perspective, semi-structured interviews were conducted with members of a local marching band to understand their lived experiences, the meanings they ascribe to participation, and the relational dynamics that emerge within this artistic setting. Findings reveal that marching bands function as spaces of self-affirmation, emotional containment, and personal growth, where art becomes a means of resistance, identity expression, and collective well-being. Nevertheless, internal tensions linked to self-demand and competition also arise, which, rather than negating the band’s protective nature, make it more complex. Overall, the results broaden the understanding of safe spaces and support networks from a dynamic perspective, in which security and well-being emerge not from the absence of conflict, but from the ability to inhabit and transform it within community.