La expresión creadora del sentido de la experiencia
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2015-12-01
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Universidad EAFIT
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Descripción
En este trabajo estudiamos la prioridad que Husserl otorga en sus primeras obras al sentido frente a la expresión, considerada improductiva -- En sus últimos escritos, en cambio, la génesis del sentido es correlativa a la de la expresión y la comunicación intersubjetivas -- De la mano de Merleau-Ponty, nos centraremos concretamente en el giro que supone El Origen de la Geometría de Husserl -- No obstante, contextualizaremos en cada una de sus obras su reiterada interpretación de la intención husserliana de llevar la experiencia a la expresión de su sentido con el propósito de demostrar que nunca dejó de pensar con Husserl, tematizando incluso sus impensados -- La concepción merleau-pontiana de la reducción incompleta, la intencionalidad operante y la fenomenología como interrogación así lo pondrá de manifiesto -- Con ella, se abre, yendo más allá de Husserl, la posibilidad de una expresión creadora.
This article studies the priority given to the meaning by Husserl in his early work over the expression, considered unproductive -- By contrast, in his later writings, the genesis of consciousness is correlative to the expression and the intersubjective communication -- Guided by Merleau-Ponty, In particular, I shall focus on the shift that occurs in Husserl’s The Origin of Geometry -- Nevertheless, I shall contextualize in each of his works its reiterated interpretation of Husserl's intention of bringing experience to the expression of its own meaning in order to demonstrate that he never stopped thinking with Husserl, by thematizing even their "non-thoughts" -- This point is evidenced by the Merleau-Pontian conception of incomplete reduction, operative intentionality and phenomenology as interrogation, which makes it possible the creative expression, going beyond Husserl.
This article studies the priority given to the meaning by Husserl in his early work over the expression, considered unproductive -- By contrast, in his later writings, the genesis of consciousness is correlative to the expression and the intersubjective communication -- Guided by Merleau-Ponty, In particular, I shall focus on the shift that occurs in Husserl’s The Origin of Geometry -- Nevertheless, I shall contextualize in each of his works its reiterated interpretation of Husserl's intention of bringing experience to the expression of its own meaning in order to demonstrate that he never stopped thinking with Husserl, by thematizing even their "non-thoughts" -- This point is evidenced by the Merleau-Pontian conception of incomplete reduction, operative intentionality and phenomenology as interrogation, which makes it possible the creative expression, going beyond Husserl.
Palabras clave
Husserl, Edmund, 1859 - 1938, Ricoeur, Paul, 1913 - 2005, Merleau-Ponty, Maurice, 1908 - 1961