On Greek Tragedy

dc.citation.journalTitleAraucariaspa
dc.contributor.authorM. VELEZ UPEGUI
dc.contributor.departmentDepartamento de Humanidades
dc.contributor.researchgroupEstudios de Filosofía, Hermenéutica y Narrativasspa
dc.date.accessioned2021-03-04T20:55:52Z
dc.date.available2021-03-04T20:55:52Z
dc.date.issued2015-01-01
dc.description.abstractAfter characterizing the classic Greek tragedy as an expression of a citizen art, which participates equally from one festive character, a certain discursive regime and a clear physical and spatial inscription, the text is delayed on considering three fundamental aspects of this dramatic form invented by the Greeks; a knowledge: an exhibition about mythical oral sources in which the authors are part of composing the history of each of the pieces that are taken into the scene under an agonal spirit; an explanation of the formal functioning of the tragedy, based on the alternation of the sung parts (chorus) and the recited parts (hero); and finally, a stage direction of the sense - internal and external-which the dramatic action possess, as an articulation element of the plot.eng
dc.identifierhttps://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=2469
dc.identifier.doi10.17230/co-herencia.12.22.8
dc.identifier.issn15756823
dc.identifier.issn23402199
dc.identifier.otherWOS;000373145800002
dc.identifier.urihttp://hdl.handle.net/10784/26257
dc.languagespa
dc.language.isospaeng
dc.publisherUniversidad de Sevilla
dc.relation.urihttp://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/2978
dc.rightshttps://v2.sherpa.ac.uk/id/publication/issn/1575-6823
dc.sourceAraucaria
dc.subject.keywordAttic tragedyeng
dc.subject.keywordGreat Dionysiaeng
dc.subject.keywordmythical legendeng
dc.subject.keywordchanteng
dc.subject.keywordrecited and dramatic actioneng
dc.titleOn Greek Tragedyeng
dc.typearticleeng
dc.typeinfo:eu-repo/semantics/articleeng
dc.typeinfo:eu-repo/semantics/publishedVersioneng
dc.typepublishedVersioneng
dc.type.localArtículospa

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