Realidad y arte en Zubiri
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2018-08-30
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Universidad EAFIT
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El objetivo de este artículo es estudiar el Curso de Xavier Zubiri de 1975 Reflexiones sobre lo estético (dos lecciones) a la luz de la “noología”, horizonte de pensamiento que el autor español dejó planteado al final de su vida. Allí lo estético cobra otra dimensión en su estudio al vincular las tres esferas de la noología: la aprehensión primordial de la realidad (el trato inmediato con las cosas), el logos sentiente (la afirmación de la realidad por medio de todas las formas del lenguaje) y la razón sentiente (la construcción en la realidad de nuevas formas de realidad). A partir de estas tres categorías cardinales, vemos lo estético en un primer nivel de la aprehensión misma (en el ámbito de la sensación), otro segundo nivel en donde lo estético se diseña y son las artes las que expresan lo fruitivo de la realidad y por último, un tercer nivel que son las obras de arte propiamente dichas.
This paper aims to examine the course Philoso phical Reflections about Aesthetics (two lessons), held by Xavier Zubiri in 1975, from the perspective of the mature doctrine of the Spanish author, the so called ‘Noology’. From this approach, the study of aesthetics takes on another dimension as it requires to link the three spheres of noology, namely, primordial apprehension of reality (direct contact with things); the sentient logos (the affirmation of reality through all forms of language) and the sentient reason (the construction in reality of new forms of reality). These three remarkable elements take on a profound meaning when it comes to aesthetics. In this study we situate the aesthetic on a first level of apprehension itself (in the field of sensation), followed by a second level where the aesthetic is designed and arts express the fruitive reality and a final level where artworks themselves would be located.
This paper aims to examine the course Philoso phical Reflections about Aesthetics (two lessons), held by Xavier Zubiri in 1975, from the perspective of the mature doctrine of the Spanish author, the so called ‘Noology’. From this approach, the study of aesthetics takes on another dimension as it requires to link the three spheres of noology, namely, primordial apprehension of reality (direct contact with things); the sentient logos (the affirmation of reality through all forms of language) and the sentient reason (the construction in reality of new forms of reality). These three remarkable elements take on a profound meaning when it comes to aesthetics. In this study we situate the aesthetic on a first level of apprehension itself (in the field of sensation), followed by a second level where the aesthetic is designed and arts express the fruitive reality and a final level where artworks themselves would be located.