Poética del movimiento corporal y vulnerabilidad: una reflexión desde la fenomenología de la enfermedad
Fecha
2015-12-01
Autores
Escribano, Xavier
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad EAFIT
Resumen
Descripción
Cuerpo físico y cuerpo vivido no deben interpretarse como dos realidades separadas, sino que representan dos aspectos distintos de la misma experiencia corporal descrita en términos fenomenológicos -- La experiencia de la corporalidad puede seguir dos direcciones: a) la primera es una dirección ascendente, que implica el desarrollo de las posibilidades de movimiento, acción y expresión del cuerpo en toda su plenitud; b) el otro camino o dirección, en contraste con el anterior, toma una senda descendente, y se halla estrechamente relacionado con la experiencia del dolor, de la limitación, de la resistencia corporal que es experimentada como oposición a la propia voluntad: es el cuerpo vulnerable -- Aquí reaparece un nuevo dualismo: el cuerpo poético de la expresión frente al cuerpo vulnerable de la enfermedad y el dolor -- Mi contribución trata de cuestionar la idea de que el cuerpo poético de la expresión artística y el cuerpo vulnerable de la vejez, de la discapacidad o de la enfermedad, pertenezcan a esferas completamente separadas -- Con este propósito, se intenta poner de relieve los múltiples puntos de intersección entre ambas perspectivas, al tiempo que se sostiene que tales intersecciones pueden llegar a ser interesantes puntos de partida de la investigación interdisciplinar.
The physical body and the lived body are not two separate realities, but rather they represent two distinct aspects of the same corporeal experience phenomenologically described -- This fundamental experience of embodiment could take at least two paths: a) the first is an upward direction, which involves the development of the possibilities of movement, action and expression of the body in all its plenitude; b) the other direction, in contrast with the former, takes a downward path, and is concerned with the experience of pain, of limitation, of the bodily resistance which is experienced as oposition to one’s own will: it is the vulnerable body -- Here a new dualism reappears: the poetic body of expression and art versus the vulnerable body of illness and pain -- My contribution aims at questioning the idea that the poetic body of artistic expression and the vulnerable body of ageing, of disability or of illness belong to two quite separate spheres -- With this purpose in mind, I shall highlight the multiple points of intersection between both perspectives, and argue that such intersections may serve as interesting starting points of departure for interdisciplinary research work.
The physical body and the lived body are not two separate realities, but rather they represent two distinct aspects of the same corporeal experience phenomenologically described -- This fundamental experience of embodiment could take at least two paths: a) the first is an upward direction, which involves the development of the possibilities of movement, action and expression of the body in all its plenitude; b) the other direction, in contrast with the former, takes a downward path, and is concerned with the experience of pain, of limitation, of the bodily resistance which is experienced as oposition to one’s own will: it is the vulnerable body -- Here a new dualism reappears: the poetic body of expression and art versus the vulnerable body of illness and pain -- My contribution aims at questioning the idea that the poetic body of artistic expression and the vulnerable body of ageing, of disability or of illness belong to two quite separate spheres -- With this purpose in mind, I shall highlight the multiple points of intersection between both perspectives, and argue that such intersections may serve as interesting starting points of departure for interdisciplinary research work.