Iconography and Gesamtkunstwerk in Parsifal's two cinematic settings

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dc.citation.journalTitleMediamusic, Electronic Scientific Magazinespa
dc.contributor.authorAlunno, Marco
dc.contributor.departmentUniversidad EAFIT. Departamento Músicaspa
dc.contributor.eafitauthorMarco Alunno (malunno@eafit.edu.co)spa
dc.contributor.researchgroupEstudios Musicalesspa
dc.coverage.spatialMedellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degreeseng
dc.date.accessioned2015-04-24T16:35:56Z
dc.date.accessioned2015-04-24T16:35:56Z
dc.date.available2015-04-24T16:35:56Z
dc.date.available2015-04-24T16:35:56Z
dc.date.issued2013-01-01
dc.date.issued2013-01-01
dc.descriptionThe concept of Gesamtkunstwerk (as expressed and realized in both, Wagner’s theoretical writings and music-dramas) has informed the aesthetics of cinema and filmic language since the early beginning of the last century -- However, over the past one hundred years, Wagner’s theories have undergone significant mutations that in some cases contradicted the original model -- Filmmakers have altered that model according to their own ideological aims, cultural background and individual taste -- With respect to Parsifal, one of the components of the "total work of art" that has been consistently reinterpreted is the opera’s imagery in terms of either scenographical reconstruction or visual representation -- The iconographical analysis of two cinematographic versions of Parsifal (Edison, 1904 and Syberberg, 1982) illustrate how the visual aspect of the Gesamtkunstwerk has changed and, in doing so, the concept of the "total work of art" has undermined itselfspa
dc.description.abstractThe concept of Gesamtkunstwerk (as expressed and realized in both, Wagner’s theoretical writings and music-dramas) has informed the aesthetics of cinema and filmic language since the early beginning of the last century -- However, over the past one hundred years, Wagner’s theories have undergone significant mutations that in some cases contradicted the original model -- Filmmakers have altered that model according to their own ideological aims, cultural background and individual taste -- With respect to Parsifal, one of the components of the "total work of art" that has been consistently reinterpreted is the opera’s imagery in terms of either scenographical reconstruction or visual representation -- The iconographical analysis of two cinematographic versions of Parsifal (Edison, 1904 and Syberberg, 1982) illustrate how the visual aspect of the Gesamtkunstwerk has changed and, in doing so, the concept of the "total work of art" has undermined itselfeng
dc.formatapplication/doc
dc.identifier.issn2226-6143spa
dc.identifier.issn2226-6143
dc.identifier.urihttp://hdl.handle.net/10784/5246
dc.language.isoengeng
dc.publisherPublishing House LLC "Mediamusic"spa
dc.publisherPublishing House LLC "Mediamusic"
dc.publisher.departmentEscuela de Ciencias y Humanidadesspa
dc.relation.ispartofMediamusic, electronic scientific magazinespa
dc.relation.urihttp://mediamusic-journal.com/Issues/2_2.html
dc.rights.accessrightsinfo:eu-repo/semantics/openAccesseng
dc.rights.localAcceso abiertospa
dc.subjectWagnerspa
dc.subjectGesamtkunstwerkspa
dc.subjectEdisonspa
dc.subjectParsifalspa
dc.subjectSyberbergspa
dc.subjectFilmspa
dc.subjectOperaspa
dc.subject.keywordWagnereng
dc.subject.keywordGesamtkunstwerkeng
dc.subject.keywordEdisoneng
dc.subject.keywordParsifaleng
dc.subject.keywordSyberbergeng
dc.subject.keywordFilmeng
dc.subject.keywordOperaeng
dc.subject.keywordSymbolism in musiceng
dc.subject.keywordMusic - philosophy and aestheticseng
dc.subject.keywordAestheticseng
dc.subject.keywordMoving-pictures and musiceng
dc.subject.keywordMoving-pictures - editingeng
dc.subject.keywordMusic in arteng
dc.subject.keywordVisual perceptioneng
dc.subject.keywordWagnerspa
dc.subject.keywordGesamtkunstwerkspa
dc.subject.keywordEdisonspa
dc.subject.keywordParsifalspa
dc.subject.keywordSyberbergspa
dc.subject.keywordFilmspa
dc.subject.keywordOperaspa
dc.subject.lembSIMBOLISMO EN LA MÚSICAspa
dc.subject.lembESTÉTICA MUSICALspa
dc.subject.lembESTÉTICAspa
dc.subject.lembICONOGRAFÍAspa
dc.subject.lembCINE Y MÚSICAspa
dc.subject.lembMONTAJE DE PELÍCULASspa
dc.subject.lembMÚSICA EN EL ARTEspa
dc.subject.lembOPERA ALEMANAspa
dc.subject.lembPERCEPCIÓN VISUALspa
dc.titleIconography and Gesamtkunstwerk in Parsifal's two cinematic settingseng
dc.titleIconografïa y Gesamtkunstwerk en dos versiones cinematográfica del Parsifalspa
dc.title.alternativeIconografïa y Gesamtkunstwerk en dos versiones cinematográfica del Parsifalspa
dc.typeinfo:eu-repo/semantics/articleeng
dc.typearticleeng
dc.typeinfo:eu-repo/semantics/publishedVersioneng
dc.typepublishedVersioneng
dc.type.localArtículospa

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