Examinando por Materia "Narration"
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Ítem La bioética narrativa como cuidado de sí(Universidad EAFIT, 2021-12-06) Domingo Moratalla, Tomás; Universidad EAFITNarrative bioethics is a biological reflection that relies on the knowledge that speaks of life (biological, medical, etc.) and biographical knowledge, which underlines that human beings are beings of meaning and that disease, fear, life, do not it is a matter only of molecules, but also of words. We need healing, yes of course, but also care.Ítem Castigo y liberación en “La muerte de la acacia” de Marvel Moreno(Universidad EAFIT, 2017-06-16) González Rubio, Mercedes Ortega; Penenrey, Julio; Universidad del Norte; Universidad del AtlánticoÍtem The City And The Drug Narratives(Universidad EAFIT, 2006-11-29) López Betancur, Olga del Pilar; Universidad EAFITÍtem "la narración alivia la pesadilla de la historia" La ciudad ausente de Ricardo Piglia y la periferia de la distopía(Universidad EAFIT., 2019-01-01) Departamento de Humanidades; Estudios de Filosofía, Hermenéutica y NarrativasThis article examines dystopian motifs in Ricardo Piglia's work. Assertions on narration and power are discussed in "Teoría del complot" and other essays by the author, also, police power and narration is analyzed in Los diarios de Emilio Renzi and La ciudad ausente. It is argued here that Piglia views both Latin American and Argentinian history in a dystopian light. This interpretation is visually and narratively rooted in a tradition of dystopian novels and films, under analyzed in the studies about the Argentinian writer. With the recent publication of the diaries, and the posthumous appearance of books of lectures and interviews by Piglia, this interpretation line has become increasingly relevant. © 2019 Universidad EAFIT. All rights reserved.Ítem La narración alivia la pesadilla de la historia. La ciudad ausente de Ricardo Piglia y la periferia de la distopía(Universidad EAFIT, 2019-03-26) Giraldo, Efrén; Universidad EAFITÍtem Nation and Narration: The Writing of the History in the second?half of XIX Century in Colombia(Universidad EAFIT, 2010-06-01) Cardona, Patricia; Universidad EAFITÍtem No Give Up, Maan! y Sail Ahoy!!! de Hazel Robinson Abrahams : una propuesta narrativa en el debate sobre la representación de la identidad raizal(Universidad EAFIT, 2023) Orozco Cortés, Isabel; Uribe Lozada, JorgeIn this article we seek to understand the discursive positions that cross the versions of the past and the future projected on the Hazel Robinson Abrahams' novels, No Give Up, Maan! and Sail Ahoy!!!, which we consider circumscribed in a broad discussion about the raizal identity and the annexation of the Islands to the Colombian territory. We find that these narrations allow the inscription of San Andrés, Providencia and Santa Catalina in the national memory and contribute to generate new perspectives to the historic discourse of the country, and we identify in them foundational characteristics, usuals in larinoamerican novels of XIX century, that responds to the expropriation of the cultural identity of the native community of the Archipelago and its absence of historical representation.Ítem El pensamiento narrativo de Spinoza(Universidad EAFIT, 2018-03-23) Espinosa, Luciano; Universidad de SalamancaÍtem La relación entre arte y lenguaje en las disquisiciones sobre arte moderno y contemporáneo en dos revistas colombianas(Universidad EAFIT, 2018-08-30) Toro Henao, Diana Carolina; Universidad de AntioquiaÍtem La superficie de los cuerpos deshumanizados ante los problemas de la narración en 2666 de Roberto Bolaño : la epifanía formal del vacío interesante(Universidad EAFIT, 2019) Kuge, Tokio; Giraldo Quintero, Efrén AlexanderThis article analyzes the internal dialogues about the problems of narrating feminicides in 2666 by Roberto Bolaño. The novel problematizes the function of superficiality imposed upon bodies not only of the victims but also of the murderers. This function promotes the banalization of the violence and the elimination of discursive interventions in the violence. The internal dialogues show the possibility of the game within the logic of such function, which as a result incurs its ineffectiveness. This ineffectiveness leads to the provocation of interest, the communication of pain, a narrative position as the international borderline and the duplication of sin. 2666 shows the role of writing and the position of fiction through this article, in the face of the violence situated outside language.