Examinando por Materia "MÚSICA"
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Ítem Adaptación de la obra colombiana Rosarillo de Luis Antonio Calvo para violonchelo y piano(Universidad EAFIT, 2024) Casas Zuñiga, Stiven; Manco, Juan DavidThe purpose of this article is to provide an account of the process undertaken in adapting the work Rosarillo by Luis Antonio Calvo for cello and piano. The aim is to promote the performance of Colombian music through this piece. To achieve this, a toree-phase methodology was designed. Initially, the work Rosarillo was contextualized, with a focus on its adaptation for the cello. This was followed by a comparative study and analysis between the original score and its adaptation. Subsequently, based on a series of registered and recorded concerts, a re-adaptation was performed, yielding new technical and interpretive recommendations. The article concludes with reflections on the potential contributions of this adaptation to Colombian cello music, as well as possible challenges that could inspire future research.Ítem Adaptación de tres movimientos de la historia del tango de Astor Piazzolla para violonchelo con pedales de efectos y guitarra eléctrica - Adaptation of three movements from Astor Piazzolla's tango history for cello with effects pedals and electric guitar(Universidad EAFIT, 2024) González Buitrago, Sergio; Manco, Juan DavidThis research-creation work explores the adaptation of three movements from Astor Piazzolla's “Historia del tango” to be performed on violoncello with sound pedals effects and electric guitar. The methodology was developed initially from the collection of the original scores, the structural analysis of the work, and the musical adaptation for cello, then the selection of microphones and effects pedals, and finally the exploration of the sounds of the selected pedals. With this process, the feasibility of using real-time sound effects was demonstrated, obtaining novel sound results that open up new possibilities in the interpretation of music written for cello.Ítem Magdalena : una obra para violín solo y medio electroacústico(Universidad EAFIT, 2024) Marín Mesa, Emanuel; Lennis Cortés, Laura IsabelThe search for new sounds has been a constant in the work of composers throughout history, with electroacoustic music as an important innovation in this field. This genre establishes a new aesthetic, where it is possible to incorporate elements of folklore and academic music, combine different perspectives of musical language, and reevaluate the roles of composer, performer, and producer in creative processes. To find mechanisms to disseminate Colombian folk music, enrich the Colombian academic violin repertoire, and incorporate electroacoustic music into academic and popular musical traditions, this work analyzes how these elements are integrated into Emanuel Marín Mesa's piece Magdalena for violin and electronics, thereby exploring alternatives in composition for the instrument and the traditional musical genres of the Andean and Caribbean regions of Colombia.Ítem La Música Comunitaria como una forma de intervención del tejido social que contribuye a la paz : un estudio de caso en el Departamento del Cauca(Universidad EAFIT, 2015) Quintero Flórez, Gonzalo Mauricio; Vinasco Guzmán, Javier AsdrúbalÍtem Propuesta interpretativa de tres piezas colombianas para clarinete solo con técnicas extendidas(Universidad EAFIT, 2024) Caballero León, Juan José; Manco, Juan DavidThe purpose of this article is to give an account of the process carried out in the construction of an interpretative proposal of the extended techniques in the three selected works of the contemporary repertoire for solo clarinet in Colombia. To do so, we began with a contextualization of the repertoire; then, a first approach to the works and composers; and finally, an analysis and creation of the interpretative proposals for each piece. It is concluded that musical interpretation can be approached from an objective or subjective stance, in which the interpreter decides under his or her own criteria what is most convenient to perform the music. In addition, being so diverse and flexible, a reflection on the possibilities offered by the extended techniques in the clarinet allows the performer to be autonomous to approach them with freedom.Ítem Sonata para guitarra (1933) de Antonio José Martínez Palacios (1902-1936) : estudio de relaciones motívicas(Universidad EAFIT, 2012) Tangarife Jaramillo, Luis Esteban; Valencia Duque, AlejandroÍtem Tres adaptaciones de música andina colombiana a la literatura solista del contrabajo(Universidad EAFIT, 2024) Olarte de los Ríos, Carlos Andrés; Manco, Juan DavidThis article provides an exercise in adapting three pieces of Colombian Andean music to solo double bass literature. To this end, a historiographical study was carried out at the organological level of the double bass, taking into account that this instrument is known as a great accompaniment in all types of music, but due to its tessitura, it is not recognized as a solo instrument in any genre. This is reflected in the small amount of solo repertoire that he has. For this reason, the historical and musical context of the composers of the three pieces was studied: Pedro Morales Pino, Luis A. Calvo and Luis Uribe Bueno. Finally, the adaptations were prepared in such a way that they are in the idiomatic language of the double bass, taking into account its organological dimension in a technical way, since, when playing its tones and semitones, the distances are much wider unlike other instruments, even more so in comparison with the piano and the Colombian Andean bandola. As a result of this, these three works are compatible with the double bass and are presented in this article.