Examinando por Materia "Flauta traversa"

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    Ítem
    Bicinia Columbiana Nº 2 de Mario Gómez Vignes, acercamiento técnico-interpretativo de la flauta traversa
    (Universidad EAFIT, 2019) Martínez Martínez, Jorge Alberto; Manco, Juan David
    From the artistic background that has been experienced in the world of the flute in relation to the extended techniques, an important approach has been reached in all Latin America including Colombia, where it has impacted on a huge proportion in the transformation of the composers’language. For this reason, and with the aim of raising awareness in the interpreters of the instrument, the following article seeks to an approach to the work Bicinia Columbiana No. 2 from a flutist approach, with the aim to make a proper interpretation of its musical speech due to the different sound resources that are reflected through some stylistic tactics. Based on a technique-interpretative analysis, from the concept that Jan LaRue exposes in his book “Analysis of the musical style”, the transcendental of the work of Mario Gómez Vignes will be shown, under its very significant contribution and in the interests of familiarize the new elements that modern music has been sowing in our environment.
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    Ítem
    Estrategias didácticas para el estudio de aspectos técnicos de la flauta desde el repertorio latinoamericano
    (Universidad EAFIT, 2023) Pino Herrera, Estefanía; Tovar Henao, Felipe
    The process of musical formation in Colombia has been backed up, in the majority, for the model of central european conservatory. There are multiple facts that can justify the continuity of this model in the century XXI. The flute traverse has been inspiration for many composers throughout music history. This article begins with the motivation of know the existing repertoire in Latin America, equally with the purpose of addressing and articulating this repertoire to five tecnic aspects that are part of the daily study of the flute. For this, didactic strategies were applied to make possible not just approach this tecnic aspects with the selected musical fragments, but also make strategies and reflections possible to apply to other works that can contain the approach tecnic contexts.