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    Diálogo entre el jazz y la música colombiana a través de cinco contrafacts
    (Universidad EAFIT, 2020) Muñoz Enríquez, Freddy Samuel; Manco, Juan David
    The objective of this article is to present the creative process through which a dialogue is carried out between the musical currents of jazz and Colombian music. For this, the Contrafact technique was used as the compositional method of the five pieces, which were based on five Colombian Andean rhythms (guabina, bambuco, pasillo, caña and vals). This resulted in an interaction where both currents proposed ideas from their perspective, generating a clear conversation between both parties.