Examinando por Materia "Bambuco"
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Ítem Adaptación y creación de música colombiana de Bambuco, Pasillo y Joropo para el aprendizaje y formación del Trombón(Universidad EAFIT, 2019) González Castrillón, Jhon Wilson; Alunno, MarcoThis article propose a way of teaching trombone based on both Colombian culture through folkloric rhythms such as bambuco, pasillo and joropo, and the more traditional American, French and German schools where examples and arguments are given to support this musical and instrumental pedagogy. This should allow a more dynamic development and learning of the instrument through the adaptation and creation of Colombian music and melodic exercises of great interest for both students and teachers.Ítem Dos piezas para guitarra en el espíritu popular colombiano de Blas Emilio Atehortúa. Descripción Interpretativa con apuntes del compositor(Universidad EAFIT, 2019) Ortiz Niño, Jhonathan Mauricio; N/AThe aim of this article is to show and analyze “Dos piezas para guitarra en el espíritu popular colombiano” as a part of the repertoire for guitar by Blas Emilio Atehortúa. In order to achieve it, this article starts with a description of the life and work of the composer and a brief description of the rhythms included in his piece. Moreover, to get a proper understanding of the work, a series of comments and suggestions by the composer and the interpreter of this article are given.Ítem "Fantasía en 6/8", the story of one bambuco through the history of bambuco(Universidad EAFIT, 2016-12-12) Jordán Beghelli, Vanessa; Vargas Ante, Martha Lucía; Largo Pineda, Paula Andrea; Universidad del Cauca; Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, Cali; Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, CaliÍtem Tres arreglos del bambuco “Cejeñita “ para marimba sinfónica(Universidad EAFIT, 2022) García Moreno, Miguel Antonio; García de Castro, FedericoThis work seeks to show three different ways to arrange andean colombian music for symphonic marimba.These arrangements were set by level of performance aiming to offer to different musicians the possibility of having an approach to this kind of repertoire and create therefore a bigger interest for this music, due to the lack of repertoire in the moment. Each arrangement has a series of performative considerations or suggestions which are focused mainly on harmonic and melodic accompaniment. The works will work as an example to those who might be interested in arranging or composing andean colombian music for symphonic marimba.